Suzanne Somers Was Fired From ‘Three’s Company’ for Asking for Equal Pay


When the star of the hit sitcom asked for the same salary as her male counterparts, she was booted from the show and ostracized in Hollywood.

Each scene of Three’s Company revolved around a misconception, yet Suzanne Somers’ abrupt takeoff from the show was a genuine inconsistency that network chiefs were reluctant to fix.

At the point when the sitcom appeared on March 15, 1977, it was a mid-season show with just six scenes, yet the adorable elements between the nominal three flat mates — John Ritter as Jack Tripper, Joyce DeWitt as Janet Wood and Somers as Chrissy Snow — immediately turned into a backbone of the Nielsen Top 10 shows. The anecdotal comedic jokes in loft 201 additionally slung the youthful stars into genuine acclaim, with Somers gracing the fronts of various magazines.

In 1980, the entertainer was apparently at the head of her game and she knew her value. At the point when it came time for contract dealings, she set a sensible edge — what could be compared to her male costars. What she didn’t expect was to leave jobless.

“The show’s reaction was, ‘Who do you think you are?'” the entertainer told People. “They stated, ‘John Ritter is the star.'”

The men were making five fold the amount of as the ladies

At the point when Somers initially marked on to the show, she consented to a $3,500 every week pay to play the bubbly Chrissy. As the show picked up footing, her compensation climbed and soon she was making $30,000 every week.

“I had the most elevated segment of all ladies in TV 18 to 49,” she said in a meeting for the Academy of Television Arts and Sciences in 2009.

With a superior comprehension of the business than when she began, she went into her agreement exchange for the fifth season in light of equivalent compensation. “I’m glancing near and thinking, ‘For what reason are largely the men…making multiple times more?” she addressed. Her costars, Ritter and DeWitt, already had their agreements set, so she surrendered them a heads that she would go in solid.

“I state to John and Joyce… ‘I will request enormous cash and a bit of the back end and on the off chance that both of you back me up…we’ll all get it, so I’ll be the patsy,” she proceeded.

So her significant other, previous TV maker Alan Hamel, went to haggle for her, requesting $150,000 per week, which was the normal that men were winning on TV at that point, and comparable to what her costar Ritter was making. (She says she didn’t know at the time Ritter was making more since them three had a supported countries proviso.)


Another show’s arrangements influenced the result

Before making a beeline for the gathering that morning, Hamel checked with Somers once more, speculating that it could all “destroy.” “I stated, ‘They’re not going to dispose of Chrissy,'” she reviewed in the Academy meet.

What Somers and Hamel didn’t know at the time was that the ABC chiefs were clutching their pursestrings extra close since they had recently settled an arrangement with the stars of Laverne and Shirley, Penny Marshall and Cindy Williams — and were paying the two ladies more than they had trusted.

“Laverne and Shirley had recently arranged a beast bargain, and thereafter, they chose they expected to make a case of female entertainers so no other lady would request to be paid what men were making,” Hamel told People.

In a period before PDAs, Somers held up at home tensely. “So I hear the front entryway open and I can guess by the manner in which the entryway closes and the sound of his feet strolling up the steps this isn’t acceptable,” she reviewed. That is the point at which he disclosed to her that she had been terminated.


“Never believe that you are not replaceable — rule number one,” Somers said.

After she was terminated, Somers was accompanied by a police watch on set

As though that abrupt blow wasn’t sufficiently hard, they hadn’t wrapped up the fifth season yet, so she needed to return to set. In any case, it wasn’t nothing new.

“So what they did was compel me to complete out the year, yet lessen me to a moment,” Somers clarified in the Academy meet. “They assembled this little side set — it was insane what they did. They would have a police watch come meet me at the secondary passage, walk me in. I was not permitted to see anyone from the first show, just the closet fellow, who might present to me some shorts and something.”

On the inadequate set was a seat, telephone and light — with one camera shooting her expression lines on the telephone. “It just felt so like I was being rebuffed like I was a trouble maker. It raised all my old sentiments of low self-esteem,” Somers recollected.

The belittling treatment came all since she requested to be paid equivalent to the men. “It was only a horrendous time,” she said.

The business evaded her so she rehashed herself

Counterbalance, life wasn’t any better. She went from being the most pined for entertainer in the segment to not in any event, having the option to get a meeting with any press outlet.

“I sat home for the majority of the year, figuring, ‘For what reason did I do it? Here I had the world by the tail… for what reason did I imagine that I ought to be paid what they’re paying the men?'” Somers said in the Academy meet.

Yet, at some point, everything clicked. “I hear voices once in a while, not in a peculiar way,” she clarified. “I hear a voice in my mind, similar to an amplifier. It says, ‘For what reason would you say you are centered around what you don’t have? Why not center around what it is you do have?'” And that is the point at which she understood the blessing Three’s Company had given her that they couldn’t remove: perceivability.

Utilizing her name and face acknowledgment, she plotted not a rebound, yet a rehash. “Everyone in this nation knows my name — I have perceivability,” she said of the acknowledgment. “That is something.”

Before long she was featuring in a Las Vegas creation with 13 artists and a 27-piece ensemble, playing out an energetic revue with exemplary stage melodies like “Boogie Woogie Bugle Boy.” And in 1987, she was named Las Vegas Entertainer of the Year alongside Frank Sinatra.

Presently she’s likewise an effective business person, wellness and magnificence line proprietor, creator and moderator, and has worn so numerous different caps — and everything originated from her requesting equivalent compensation.

“That was the extraordinary thing about being terminated,” Somers told People. “I couldn’t ever have had the option to do what I do now.